Download PDF The Forbidden Best-Sellers of Pre-Revolutionary France, by Robert Darnton
Download PDF The Forbidden Best-Sellers of Pre-Revolutionary France, by Robert Darnton
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The Forbidden Best-Sellers of Pre-Revolutionary France, by Robert Darnton
Download PDF The Forbidden Best-Sellers of Pre-Revolutionary France, by Robert Darnton
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From Publishers Weekly
More specialized than The Great Cat Massacre, Darnton's latest still cogently demonstrates through tables, case studies, analysis and anecdotes just how different the pre-Revolutionary French were from postmodern Americans. In this second volume of a trilogy that began with The Business of Enlightenment, Darnton returns to the extensive publishing records of the Societe typographique de Neuchatel (STN) to trace the demand for books forbidden as a threat to morals and politics. These "philosophical books," as they were called, included Rousseau's Social Contract. But with only one order in STN's records, it was hardly a bestseller. Accordingly, Darnton focuses on three widely disseminated books representing different popular genres: the pornographic Therese philosophe (probably by Marquis d'Argens); the philosophical utopian fantasy L'An 2440 by Louis-Sebastien Mercier; and the libelle (think libelous) Anecdotes sur Mme la comtesse du Barry ascribed to Mathieu-Francois Pidansat de Mairobert. His discussion of the distribution, reception and influence of these books is convincing and careful (general readers may find some sections on methodology a little too careful). Darnton sees these works as literature, not just sociological artifacts; and, if lengthy excerpts from L'An 2440 seem a little dated, those from Therese and Anecdotes are still ribaldly amusing. Copyright 1995 Reed Business Information, Inc.
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From Library Journal
With this volume, Darnton consolidates his position as one of the most innovative and influential historians of 18th-century France. For over 25 years, Darnton (Shelby Cullom Davis Professor of European History, Princeton) has been studying reading habits and book selling during the period often referred to as the Enlightenment. The present work is published conjointly with a companion volume, The Corpus of Clandestine Literature in France, 1769-1789. The latter gives statistical details for what Forbidden Bestsellers covers more descriptively. The gist of what Darnton says is that philosophes like Voltaire and Rousseau had far less impact on French readers than did the anonymous authors of scandalous, libelous, treasonous, and/or pornographic works, most of which were smuggled into France from the Netherlands, Switzerland, or the German states. Taken together, they had a corrosive effect on all established values and practices and thus contributed to the outbreak of the French Revolution. Very highly recommended for all libraries.?T.J. Schaeper, St. Bonaventure Univ., N.Y.Copyright 1995 Reed Business Information, Inc.
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Product details
Hardcover: 464 pages
Publisher: W W Norton & Co Inc; First Edition edition (March 1, 1995)
Language: English
ISBN-10: 0393037207
ISBN-13: 978-0393037203
Product Dimensions:
6.2 x 1.5 x 9.5 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#1,215,340 in Books (See Top 100 in Books)
This is a book about how and why some books and publishings were forbidden in early Europe. It tells how many Forbidden books were published and how the were distributed, fun and interesting .
A good read on a misunderstood era. My only criticism pertains to his translation of THERESE PHILOSOPHE -- so much is removed of THERESE that the story doesn't make sense. After 2 pages he omits 10 pages that make sense of the rest of the story -- Therese from age 7 to age 23 is omitted.Someone left a snide comment for this review, that of course some was omitted as it was excerpted. How convenient. When publishers do it it's called censorship. The lubricity is the only real charm of D'Argens work, as Sade commented (in Juliette), and without it there is no story.Darnton could have bleeped out the --- words and given us a taste; but this is America, so fidelity to the original text is no special virtue. Is this a children's book? Even Wikipedia is nowhere near as prudish. There is really no point to Darnton's translation except to prove that he can translate.Darnton surely knew he had no competition -- d'Argens, like Mirabeau, has not had a decent English translation. This goes for most libertine novels from the Enfer of the Bibliotheque Nationale, with the glaring exception of Sade, who is far more objectionable than the innocent and realistic sensuality of D'Argens.If you don't have to have it rated PG, get the LIBERTINE READER by Michel Feher. If you read French also check out Patrick Wald Lasowski, Philippe Sollers and others whose writings on libertinism and the libertine novel are easily found in Google searches.
This book comes from great research project. It is very interesting and you see points and case studies you have never heard before. Gives you a great idea on how mass media works under censorship.
This is one of the most intelligent books I have ever read about french revolution or, in this case, pre revolutionary France and the role of that vaporous, difficult to define but very real effect of ideas, emotions, frames of thinking and everything else that in the mind of public support or prepare the demolition of a regimen. The argument is smart, the style flawless. The book remembered me the great one of Crane Brinton about revolutions.
Many important facts I had not known (that there were no newspapers in 18th C France! that the King's ability to celebrate Easter Mass, having put himself outside the pure zone of Catholics by flagrant mistresses led to disrespect and demise of the Monarchy; the import of the Jansenists, and the government's action to prevent their end-of-iife-absolution; how the actions 50-70 years earlier led to the French Revolution; that Napoleon read Rousseau!) from a wonderful depth of research makes this a fascinating read. The best part is how Darnton sets up an analyses according to one line of ideas, then wipes it off, offering another thesis using a different set of premises. This makes the reader think, and keeps the ideas lively, instead of the usual historian laying down the "Facts' which the reader must swallow whole. His analysis of the Therese story is brilliant philosophy, well worthy of the honors he had received, MacArthur prize, Harvard Fellowship, etc. This is much more than a history; it is like entering a mirror-within-a-mirror-within-a-mirror, to understand the reverberations of the questioning of religious principles. I am increasingly interested in how the West attained the present separation of church and state after centuries of the stranglehold Catholics had on life. It took many jolts over a long period, and both questioning of the leaders' hypocrisy, and the ability to disseminate these questions to the public. This book also shows how aspects of civilisation as we know it were vastly different then: just the concept of "public opinion" was new; how powerful it is in democracy now! I should think policy makers would study this book to understand the West, to see how to help democracy prevail in struggling countries, where primary allegiance is demanded by the religion, not the state, and there is no faith in the rule of law. Who would have thought that such a topic as Forbidden 18thC Literature' would be so contemporary and meaningful. It is how Darnton investigates that makes this book so relevant, as well as his ability to gather facts, really look at the events and see what is going on; thorough, honest, open, without a point to prove. Brilliant!
I have been reading about language and art in the papers published in Symbol, Myth, and Culture: Essays and Lectures of Ernst Cassirer, 1935-1945, which raises some questions about uniquely human aspects of language. The experience of confusion as a valuable human reaction seems to be key to exalting the Martin Luther Stonehood of rock and roll as a unique form of literary life in 2013, when consideration of all the problems that might interrupt the hyperbolic cyberpower which keeps spinning its global financial wheels to take this bad infinity even higher into the castles of our clouds is too muddled for a rational analysis of restraining orders to keep people from inflicting speech upon each other. There was a movie about Mozart, Amadeus, which puts an opera about Figaro in the time that is the setting for Robert Darnton's book, The Forbidden Best-Sellers of Pre-Revolutionary France.The financial problems of advanced civilizations are not easy to solve when large numbers of people consider sudden changes intolerable. Literary life has been creeping up on the kind of trouble that makes someone play the harmonica in the song Trouble Every Day on the Mothers of Invention Freak Out album. Trouble Every Day. I used to read for laughs, but Darnton's book on how books were banned for comments critical of religion, the state, and morals made me reflect on how the lack of a moral world order has been the basis for ways the religions and states have been getting away with whatever forms of perplexity people are faced with when some people just don't get it.
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